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Agaliha
October 4th, 2009, 01:55 AM
Prologue

THE LIVING FLAME OF LOVE

Jesus Mary Joseph

A commentary on the stanzas that treat of a very intimate and elevated union and transformation of the soul in God, written at the request of Doņa Ana de Peņalosa1 by the author of the stanzas.

Prologue

1. I have felt somewhat reluctant, very noble and devout lady, to explain these four stanzas as you asked. Since they deal with matters so interior and spiritual, for which words are usually lacking - in that the spiritual surpasses sense - I find it difficult to say something of their content; also, one speaks badly of the intimate depths of the spirit if one does not do so with a deeply recollected soul. Because of my want of such recollection, I have deferred this commentary until now, a period in which the Lord seems to have uncovered some knowledge and bestowed some fervor. This must be the result of your holy desire; perhaps, since I have composed the stanzas for you, His Majesty wants me to explain them for you. I have been encouraged in knowing certainly that through my own ability I shall say nothing worthwhile, especially in matters so sublime and vital, and thus only the faults and mistakes of this commentary will be mine. Submitting it to the judgment and better opinion of our Holy Mother the Roman Catholic Church, by whose rule no one errs, finding my support in Sacred Scripture, and knowing the reader understands that everything I say is as far from the reality as is a painting from the living object represented, I will venture to declare what I know.

2. There is no reason to marvel at God's granting such sublime and strange gifts to souls he decides to favor. If we consider that he is God and that he bestows them as God, with infinite love and goodness, it does not seem unreasonable. For he declared that the Father, the Son, and the Holy Spirit would take up their abode in those who love him by making them live the life of God and dwell in the Father, the Son, and the Holy Spirit [Jn. 14:23], as the soul points out in these stanzas.

3. Although in the stanzas we have already commented on,1 we speak of the highest degree of perfection one can reach in this life (transformation in God), these stanzas treat of a love deeper in quality and more perfect within this very state of transformation. Even though it is true that what these and the other stanzas describe is all one state of transformation, and as such one cannot pass beyond it; yet, with time and practice, love can grow deeper in quality, as I say, and become more ardent. We have an example of this in the activity of fire: Although the fire has penetrated the wood, transformed it, and united it with itself, yet as this fire grows hotter and continues to burn, so the wood becomes much more incandescent and inflamed, even to the point of flaring up and shooting out flames from itself.

4. It should be understood that the soul now speaking has reached this enkindled degree, and is so inwardly transformed in the fire of love and elevated by it that it is not merely united to this fire but produces within it a living flame. The soul feels this and speaks of it thus in these stanzas with intimate and delicate sweetness of love, burning in love's flame, and stressing in these stanzas some of the effects of this love.

In this commentary I will use the method I have used before: First I will quote all the stanzas together; then, after recording each stanza separately, I will present a brief explanation of it; finally I will quote each verse and comment upon it.

Stanzas the Soul Recites in Intimate Union With God.

1. O living flame of love
that tenderly wounds my soul
in its deepest center! Since
now you are not oppressive,
now consummate! if it be your will:
tear through the veil of this sweet encounter!

2. O sweet cautery,
O delightful wound!
O gentle hand! O delicate touch
that tastes of eternal life
and pays every debt!
In killing you changed death to life.

3. O lamps of fire!
in whose splendors
the deep caverns of feeling,
once obscure and blind,
now give forth, so rarely, so exquisitely,
both warmth and light to their Beloved.

4. How gently and lovingly
you wake in my heart,
where in secret you dwell alone;
and in your sweet breathing,
filled with good and glory,
how tenderly you swell my heart with love.

The composition of these lyric lines is like those that in Boscón are given a religious meaning and that go:

La soledad siguiendo.
llorando mi fortuna,
me voy por los caminos que se ofrecen, and so on.

In these stanzas there are six lines; the fourth rhymes with the first, the fifth with the second, and the sixth with the third.2