asamananara
October 5th, 2004, 12:59 AM
Over the past few months, I've been working on developing
the ability to Chomei, or throat-sing. For those who don't
know, throat-singing is an amazing vocal technique peculiar
to the traditional nomadic tribes of the Tuvan and Mongolian
grasslands. Using subtle manipulations of the soft-palate
while droning a monotone gutteral chant, the throat-singer
is able to produce a haunting "chomei-voice" in addition to
his natural voice, a higher-pitched, multitonal harmonic which
sounds somewhat like a bamboo flute. A good throat-singer
can sustain two, three, or even four distinct melodies simultaneously.
The effect is sublime, eerie, and altogether foreign to the
sounds commonly associated with the human voice. In Tuva,
shaman use the chomei-voice to imitate birdsong, waterfalls,
wind... regarding it as "giving voice" to the resident spirit.
If you've ever heard Tuvan Chomei, you might understand why
I wanted to learn how to do this.
So, I've been working at it. Unfortunately, there are practically
no resources available in the western world related to Chomei.
I found a couple of websites which touch briefly on the technique,
and from there began experimenting myself. I've been practicing
periodically each day for more than two months, and have finally
aquired my "chomei-voice". It's crude, and it's primative-
but it's there.
Now, I need advice. If there are any throat-singers out there,
I'd like to hear any suggestions for strengthening, defining,
refining, and modulating the chomei. I know the chances of
finding anyone who can help are slim, but I'm sure someone else
in the pagan community has picked up on the unique energy nuances
of using Chomei in ritual. I've certainly found it a powerful
method if inductive chant, and invaluable in spirit invocation.
If you have ANY experience with throat-singing, I'd love to hear it!
the ability to Chomei, or throat-sing. For those who don't
know, throat-singing is an amazing vocal technique peculiar
to the traditional nomadic tribes of the Tuvan and Mongolian
grasslands. Using subtle manipulations of the soft-palate
while droning a monotone gutteral chant, the throat-singer
is able to produce a haunting "chomei-voice" in addition to
his natural voice, a higher-pitched, multitonal harmonic which
sounds somewhat like a bamboo flute. A good throat-singer
can sustain two, three, or even four distinct melodies simultaneously.
The effect is sublime, eerie, and altogether foreign to the
sounds commonly associated with the human voice. In Tuva,
shaman use the chomei-voice to imitate birdsong, waterfalls,
wind... regarding it as "giving voice" to the resident spirit.
If you've ever heard Tuvan Chomei, you might understand why
I wanted to learn how to do this.
So, I've been working at it. Unfortunately, there are practically
no resources available in the western world related to Chomei.
I found a couple of websites which touch briefly on the technique,
and from there began experimenting myself. I've been practicing
periodically each day for more than two months, and have finally
aquired my "chomei-voice". It's crude, and it's primative-
but it's there.
Now, I need advice. If there are any throat-singers out there,
I'd like to hear any suggestions for strengthening, defining,
refining, and modulating the chomei. I know the chances of
finding anyone who can help are slim, but I'm sure someone else
in the pagan community has picked up on the unique energy nuances
of using Chomei in ritual. I've certainly found it a powerful
method if inductive chant, and invaluable in spirit invocation.
If you have ANY experience with throat-singing, I'd love to hear it!